Autor: |
Lumby, Catharine, Bachmann, Gideon |
Zdroj: |
Framework: The Journal of Cinema & Media; Spring2023, Vol. 64 Issue 1, p111-116, 6p |
Abstrakt: |
The article focuses on Pier Paolo Pasolini's film "Salò, or the 120 Days of Sodom," highlighting its controversial nature as a critique of both organized Fascism and consumer society. Topics discussed include Pasolini's adaptation of de Sade's work, his condemnation of power and exploitation, and his aim to provoke reflection on moral agency and the potential for authoritarianism to reoccur. |
Databáze: |
Supplemental Index |
Externí odkaz: |
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