| Abstrakt: |
The article discusses Lynda-Nawel Tebbani's book L'éloge de la perte and her unique approach to Algerian literature in French. Tebbani uses a hybrid language and an inter-artistic approach that infuses her text with Andalusian music. The book evokes a melancholic aesthetic and a poetics of three main cities: Paris, Algiers, and Constantine. The article aims to unveil this poetic of the city, linked to Andalusian music, that imbues the book with its originality and Algerianness, and the singular voice of the diaspora. The interdisciplinary and analytical approach draws on geocriticism, psychoanalysis, and Gaston Bachelard's poetics of space. [ABSTRACT FROM AUTHOR] |
