| Abstrakt: |
The great sculpted portals of the Middle Ages were perhaps the leading form of public visual media of the time, and their cycles of the zodiac and months were staples of largescale public art in Europe for centuries. The appearance of these cycles at Sainte-Madeleine at Vdzelay (ca. 1120-1132) is the earliest in cyclical form in Europe (the configuration found in macrocosmic/microcosmic images). In this iniportant manifestation. there are a number of apparent irregularities that scholars have traditionally dismissed as "mistakes: However, these irregularities can be shown to have been caused by an application of the medieval theory of zodiacal melothesia, a recognition of which leads to not only a deeper understanding of the role of science in medieval works of art but also of the desire for complexity in the object/viewer dynamic that brought the previously scientific cycle into mainstream public art at Vdzelay in the first place. [ABSTRACT FROM AUTHOR] |
