| Abstrakt: |
Two new collections deepen the Archives' growing holdings of papers related to California women artists. Unlike Zehr, however, Raciti (b. 1942) was drawn to synthetic, industrially-produced materials, including polyester resin, fiberglass, liquid acrylic, and other plastic-based supports. They will also find documents in the papers related to Zehr's role as a member of Womanspace, a Los Angeles gallery which, in the early 1970s, offered women artists spaces to exhibit their work and discuss challenges facing them. [Extracted from the article] |
