| Abstrakt: |
Passing novels, exemplified here by E. Lynn Harris's Invisible Life, often perpetuate the representation of bisexuality and/or biracial identity as a tension on the border between communities and bodies that threatens to break down or leak when tested. Alice Walker offers an alternative representation of sexual and racial terrain for such hybrid identities. In The Temple of My Familiar, the characterization of Lissie, a multiple reincarnation, and the use of skin as a charged metaphor bring categories of sexual and racial purity to the point of collapse, suggesting the potential to reimagine identity as plural, fluctuating, regenerative, erogenous and permeable. [ABSTRACT FROM AUTHOR] |
