| Abstrakt: |
In this article I argue that the nation is not only invented or imagined, but depends on activities and practices in order to be invented and imagined. Here, the focus is on dance in Venezuela, where a number of groups use what they call 'folkloric dance' to construct and depict the national 'culture'. This article considers the case of Danzas Típicas Maracaibo (DTM), a dance company founded in 1976 under the auspices of the government of the state of Zulia in Venezuela. DTM presented a carefully crafted and selective stylized repertoire of 'folk' dances from throughout the country. These re-created dances are called danzas nacionalistas, although the dances are often interchangeably referred to as 'folkloric'. They are used to make statements about ethnic and cultural authenticity, and in their own way contribute to the discourse of mestizaje. In Venezuela, as in much of Latin America, there is entwined in nationalist rhetoric the idea of 'race' and cultural mixing, or mestizaje. Here, mestizaje does not only or necessarily imply a 'racial' mixing or a mixing of 'blood', but it also refers to 'culture'. History, and discourses of the past generally, are especially implicated in these activities and representations. [ABSTRACT FROM AUTHOR] |
