How Does a Composition Become Part of the Permanent Repertoire?

Autor:	Kessner, Daniel
Předmět:	MUSICAL composition ENTERTAINERS MUSICAL groups SCHOLARS TEACHERS AUDIENCES
Zdroj:	Composer USA; Sep2011, Vol. 17 Issue 2, p1-2, 2p
Abstrakt:	The article discusses how a composition becomes part of the permanent repertoire. Bodies involved in the selection process are mentioned including individual performers, ensembles, teachers, conductors, scholars, and the audience. Examples of how input from sources affect programming choices are explained. Factors that are overlooked are identified.
Databáze:	Complementary Index
Externí odkaz:	Zobrazit plný text záznamu