THE PRINCE OF THE PAGODAS, GONGAND TABUH-TABUHAN: Balinese Music and Dance, Classical Ballet and Euro-American Composers and Choreographers.

Autor:	Royo, AlessandraLopez Y
Předmět:	MUSICAL composition AMERICAN composers CREATIVE ability ORCHESTRAL music BUDDHIST temples
Zdroj:	Indonesia & the Malay World; Mar2007, Vol. 35 Issue 101, p49-61, 13p
Abstrakt:	This article looks at the work of 20th century choreographers and composers whose inspiration was Balinese gamelan music. It focuses on two dance works, The Prince of the Pagodas (1957) by Cranko, re-choreographed by MacMillan in 1989, and Gong (2000) by Mark Morris and discusses their interconnection through the music of composers McPhee and Britten, and the relationship of their choreography with Balinese dance. The article reconsiders issues of influence and cultural appropriation, of transformation and translation and highlights the negotiation of sexual identity through the use of the gamelan as a gay marker among 20th-century North American composers. [ABSTRACT FROM AUTHOR]
Databáze:	Complementary Index
Externí odkaz:	Zobrazit plný text záznamu Plný text ve formátu HTML
Nepřihlášeným uživatelům se plný text nezobrazuje	K zobrazení výsledku je třeba se přihlásit.