| Abstrakt: |
In a large part of Persian literature, especially poetry, the type of “Motreb” has a prominent presence. Iranian poetic memory familiar with classical literature (Saadi, Hafez and Molavi) finds a magnificent image of him, but in the language of the society, we notice the derogatory meaning of "Motreb". This research seeks to show signs of this dual encounter with the poet even in ancient Iranian culture by examining famous literary texts up to the 8th century, and then clarify the source of this contradictory confrontation. This research was done in a descriptive-analytical way with a library source. The abundance of literary sources has forced researchers to focus on the important texts. The results of the research show that in a part of mystic literature, Motreb does not have a very honorable face, but in other genres, his face is radiant and valuable. What has created a negative image from Motreb in the Zohd and Sufi literature, in addition to the influence of religious texts, is the conflation of the Motreb with the corrupting edges of the carousal songs. [ABSTRACT FROM AUTHOR] |
