| Abstrakt: |
The article discusses Ariella Aïsha Azoulay's book "La résistance des bijoux: Contre les géographies coloniales," which explores the author's process of unlearning her mother tongue to make space for other languages. Azoulay rejects modern Hebrew's Zionist grammar and temporalities, aiming to reconstitute the destroyed world of her Algerian ancestors. The text is a blend of narrative prose and verbal-visual poetry, inviting readers to engage with the lost histories and languages of Azoulay's heritage. The article also highlights Azoulay's dialogue with Algerian poet Samira Negrouche, emphasizing the desire for a shared future and linguistic exchange. [Extracted from the article] |
