| Abstrakt: |
The article discusses the legacy of William Rubin, a prominent figure in American art history, focusing on his role as a curator at the Museum of Modern Art in New York. Rubin's passion for art and his influence on the art world are highlighted through his acquisitions, exhibitions, and relationships with artists. The article also explores Rubin's interest in the parallels between indigenous art and modern masters, as showcased in the book "Masterpieces from the William Rubin Collection: Dialogue of the Tribal and the Modern and its Heritage," authored by Phyllis Hattis. The book provides insight into Rubin's life, his collection, and raises important considerations about the debt Western art owes to Indigenous cultures. [Extracted from the article] |
