| Abstrakt: |
This paper presents a comprehensive visual analysis often repatriated Benin Bronzes, following their return from Germany to Nigeria in December 2022. The study employs compositional interpretation and visual methodology to examine the forms and contents of these iconic artifacts, which were looted in 1897 and have since been scattered across European museums. Through a decolonial lens, this research aims to recontextualize these artworks within their original cultural framework, challenging the long-standing Eurocentric interpretations that have dominated their narrative. The analysis reveals the intricate craftsmanship, symbolic significance, and historical importance of the Benin Bronzes, highlighting their role in preserving Benin's cultural memory and artistic traditions. By focusing on readily available images of the returned works, including ceremonial heads, ivory carvings, and decorated plaques, this study offers insights into the aesthetic and cultural values embedded in these artifacts. Furthermore, the paper addresses the understudied nature of Benin Bronzes within their home context, attributing this gap to their prolonged absence and limited visual art education in the region. The research contributes to the ongoing discourse surrounding the repatriation of cultural artifacts and advocates for a shift in perspective that centers on African voices and knowledge systems. By decolonizing the gaze through which these artifacts are viewed and interpreted, this study not only enriches our understanding of the Benin Bronzes but also underscores the importance of cultural restitution in fostering a more inclusive and equitable global art history. [ABSTRACT FROM AUTHOR] |
