| Abstrakt: |
Artistic research in music often relies on a combination of thinking and experimenting in music and reflecting on these experiences outside musical time. However, the way in which out-of-time reflection can build on in-time musical thinking is rarely problematised. In this text, I develop a vision that relates critical and reflective ability in musical artistic research to the ability of the researcher to change or alternate positions in relation to the stream of musical events. Thus, a perspective of artistic research as an interruptive practice emerges. [ABSTRACT FROM AUTHOR] |
