| Abstrakt: |
This essay offers an interpretation of the canonical history of strolling as a non-economic practice, that is, as a practice free of purpose and means. I consider strolling as a state of mind that discloses abundance in a similar way as rationality discloses scarcity. I inquire into the multiple facets of this state of mind by re-reading three phases in its literary and cultural history: the early modern artist-stroller of the nineteenth-century panoramic literature that finds its peak in Charles Baudelaire; the high modern consumer-stroller as described in the inter-war period, notably in the work of Walter Benjamin; and the late modern subversive stroller that is re-discovered in the mid-twentieth century by the Situationist Guy Debord among others. This interpretation both sheds light on the social preconditions of economic rationality as an organizing principle of a market society, as well as the potential to step out of this principle. [ABSTRACT FROM AUTHOR] |
