| Abstrakt: |
The article explores Sage Markandeya's vision of art's holistic unity, highlighting how classical Odissi art embodies this concept by integrating various forms of art like literature, visual arts, and performing arts. It discusses the emotive and lyrical nature of Odissi arts, aiming to evoke Sringara rasa (the sentiment of love). While classical arts were traditionally for pleasing gods or royalty, folk arts belonged to tribal and rural communities. Despite efforts to create barriers between these art forms, cultural dynamics led to mutual influence, bridged by factors like Vaisnavism, the Bhagavat scripture, and Odissi dance and music. The article also addresses efforts to revive Odissi music and dance, balancing tradition with innovation. It discusses the challenges faced by puritanical and maverick approaches and highlights the importance of preserving Odissi's unique identity while adapting to modern times. Furthermore, it delves into the ideological aspects of performing arts and the struggle for recognition and preservation of Odia identity. It mentions historical movements aimed at safeguarding Odia language, literature, and culture against external threats. In conclusion, the article emphasizes the need for systematic research and standardized demonstrations to establish Odissi music and dance firmly within Odisha itself, rather than seeking validation from national standards. It advocates for preserving the regional identity of Odissi arts while acknowledging their universal appeal. [ABSTRACT FROM AUTHOR] |
