| Abstrakt: |
In Haras, written by Nasim Marashi, the place has an important role in making subjective conditions. This paper, by applying the semiotics analysis to the novel’s text, tries to show how place and placiality participate in forming the textual subject identity. By using a descriptive-analytical approach which is based on tensive-shushi discourse analysis, it seems that place and placiality are converted to space, which make tension in the sensory-perceptual conditions of the subject. This means that the subject of woman s is disconnected from her mythical and symbolic place (Khorramshahr), and is not, however, stabilized in her new place (Ahvaz). This leads to pre-tension, posttension, place disconnection and identity disconnection. Thus, the subject cannot make a here-now relation with the new place, and make an attendance- absent relation instead. As the results, the subject of the act creates a transcendental place converting from place to space, naming Dar al-Tala'a, where wandering subjects consider it as a place to create new values. The research results show that place transcendence is a fictional stategy that help the subject of the act to overcome the identity disconnection, which is made by disconnecting any relation from the actual place. [ABSTRACT FROM AUTHOR] |
