| Abstrakt: |
For Kant, space and time are basic elements of transcendental aesthetics, a priori conditions of sensibility (Critique of Pure Reason, 1781). This concept fatefully binds sensibility and art to their ultimate limits. However, with the discovery of the four-dimensional "Minkowski time-space", qualitatively new aesthetic theories about sensibility, movement and the body were born; new uses of time in various temporal and synthetic arts; the classical classification of the arts was updated. [ABSTRACT FROM AUTHOR] |
