| Abstrakt: |
If our sociality is intertwined with the logics of social media, then the examination of the temporalities that are immanent in these technologies contributes to the understanding of our very conditions of existence. And even if algorithmic sorting is increasingly employed to deliver what is "relevant" at the "right-time," the notion of "real-time" still permeates these platforms' operations. Through a critical phenomenological approach, I examine the interplay of chronological and algorithmic ordering. To operationalize the idea of temporality as both subjectively experienced and always arranged by the platforms themselves, I use rhythm as an analytical device. Based on accounts of lived experience obtained through the conduction of the diary-interview method with London-based social media users, I foreground how "the algorithm" is used as a vehicle to make sense of platforms' temporalities, reflecting struggles and negotiations over social coordination and temporal control. I argue that realtimeness is also rhythmic, and can therefore be scrutinized as a "sensorial orchestration." [ABSTRACT FROM AUTHOR] |
