| Abstrakt: |
The study provides a new analytical model for interpreting early modern sacral architecture. The example of selected buildings from Moravia at the turn of the 16th and 17th centuries shows the possibilities of applying the „anachronistic model", an alternative to linearly defined autonomist art history, especially in the case of Renaissance studies. In contrast, the buildings under study present themselves as objects with a specifically heterogeneous temporal identity that simultaneously applies the principles of historicity and modernity to the buildings in question. [ABSTRACT FROM AUTHOR] |
