AN ANALYSIS OF NAPOLÉON COSTE’S ÉTUDE NO. 22.
| Autor: | Zvengrowski, Steven T. |
|---|---|
| Předmět: | |
| Zdroj: | Soundboard; Dec2023, Vol. 49 Issue 4, p17-20, 4p |
| Abstrakt: | The article reports on French guitarist Napoléon Coste's compositional technique in his Étude No. 22, emphasizing finger independence in the right hand through specific techniques. It mentions Coste's work, part of the 25 Études, op. 38, is characterized by a sophisticated, lyrical, and romantic style, contributing significantly to nineteenth-century guitar literature alongside composers like Francisco Tárrega, Ernest Shand, and Luigi Legnani. |
| Databáze: | Complementary Index |
| Externí odkaz: |
|