| Abstrakt: |
Ursula Le Guin's The Word for World is Forest emerged as a reaction to the Vietnam War, which ravaged human and nonhuman lifeworlds. Le Guin offers two competing discursive systems through which to interpret human and nonhuman alterity—Terran industrial capitalism, grounded in physical and symbolic violence, and Athshean ecosocialism, rooted in an ethics of non-violence and forest-centred nominalism. Le Guin appears to suggest that both "readings" of Athshea are locked in an intractable, adversarial logic, typical of the "paranoid" reading practices that Eve Sedgwick would theorise twenty-five years later. In its sensitivity to the spectrum of negative affect covering anticipatory anxiety about forestalling pain, symmetrical suspicion, and fear of humiliation, the novella offers an uncanny prefiguration of paranoid practices. Le Guin suggests that the way out of the paranoid clash of civilisations can be found in two "reparative" reading stances—Selver's reinterpretation and rearrangement of components of the oppressor's culture into new, unexpected wholes (hermeneutic reassemblage) and the alien observers' valorisation of disinterested curiosity over action as a categorical imperative (cerebral equivocity). Le Guin thus seems to offer a reparative poetics avant la lettre. [ABSTRACT FROM AUTHOR] |
