| Abstrakt: |
Building on groundbreaking studies by Christine Sciacca and Morgan Simms Adams, this article addresses an understudied phenomenon of medieval French manuscript culture: the sewing of textile curtains—fabric pieces made of silk, linen, or cotton gauze—above or beside illuminations to protect and veil them. Presenting a corpus of forty-six manuscripts of medieval French texts that once contained curtains, I demonstrate how this practice extended beyond the realm of Latin and devotional books to some of the most popular vernacular illuminated book traditions of the thirteenth and early fourteenth centuries. Through a series of examples, the different performative potentialities of the veil—its affordances—are shown to far exceed its presumed protective function. Indeed, I argue that the textile curtain, operating at the intersection of touch and sight, should be considered an important part of how certain French books were experienced in the Middle Ages. [ABSTRACT FROM AUTHOR] |
