| Abstrakt: |
The evolution of theoretical film studies positions of the famous film expert K.E. Razlogov (1946–2021) in Cinema Art journal is analyzed in this article. Purpose of study: comprehensive retrospective analysis of the theoretical film studies position evolution of K.E. Razlogov in Cinema Art journal in configuration of historical, political and socio-cultural snapshot. The results of content analytical discourse of the film studies positions in the theoretical articles of K.E. Razlogov on the pages of Cinema Art journal allow outlining some conclusions: - the theoretical film studies positions of K.E. Razlogov to a greater extent were focused on the plot-structural analysis of the film, its genre originality, the specific features of expressive means in the historical context; - the content of some articles of the film expert reflected the problems of studying the most important phenomena of the foreign cinematography history and theory by the Soviet film critics, standing for the need of conscious orientation towards the development of spectacular cinematography, the importance of developing a methodology based on the principle of historicism, the segment unity of the ideological and semiotic approaches; - the texts of the theoretical articles of the film expert, written in the Soviet period, contained the traces of ideology of the ruling Communist party; the author repeatedly referred to the ideological dogmas, resolutions of the Central Committee of the Communist Party of the USSR in his publications, paying attention to the semantic content analysis of the official documents and degree of cinematography development in accordance with the established positions; - in the period of the 21st century the author’s works substantially referred to the studies of the historical evolution and the problem of film presentation on Russian TV screens; - in general, the film studies publications of K.E. Razlogov were dedicated to studying the correlations and influence of political and socio-cultural transformation processes on the development of cinematography in the context of various periods of history. [ABSTRACT FROM AUTHOR] |
