| Abstrakt: |
Innovation is being called for to renew higher music education (HME) due to substantial societal changes, yet the implications of this trajectory remain unclear. By turning to institutional theory and Foucauldian theory, this article investigates how innovation is perceived in HME. Drawing from a case study in which twenty-four music performance students and professors were interviewed in Norway and the Netherlands, the findings suggest that the call for innovation is enmeshed with institutional politics. Indeed, innovative practices (e.g. genre independent programmes) have caused institutional resistance but also fostered necessary renewal. Thus, the balancing act between innovation and tradition is discussed. [ABSTRACT FROM AUTHOR] |
