| Abstrakt: |
The article intends to bring the reader closer to the theoretical reflections of Andrzej Różycki within the context of his works and artistic stand. For a decade the former focused on the concept of photosophy, with Różycki describing himself as a photosopher. His sudden death rendered impossible the realisation of plans connected with the institutionalisation of Różycki’s collection and introducing his thought into art-based research, barely initiated within the context of studying the oeuvre of Zofia Rydet. The article, suspended between scientific reflections and a personal narration about Różycki, is envisaged as an intellectual homage paid to the departed photosopher and an indication of the potential contained in his works and theoretical thought. [ABSTRACT FROM AUTHOR] |
