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Jack Arnold, the director of The Incredible Shrinking Man, said that he hated The Incredible Shrinking Woman because it doesn't have a point of view. When Jack falls for Lydia, he puts on Tuck's clothes and sees himself in the mirror no longer as Jack, but now as two men, one over another like a Russian doll. In a nifty adaptation of Méliès's The Dwarf and the Giant, The Incredible Shrinking Woman uses split screen to show normal-size Judith interact with doll-size Pat. There's Tuck, perched on Jack's cornea, coaching Jack to "be a new man.". [Extracted from the article] |
