| Abstrakt: |
This paper reports on the subcultural movements of Vaporwave and Aesthetic by examining digital practices and products such as the creative and sound projects specific to the culture of the web, which are immediately welcomed by member of Generation Z through social media. Generation Z gives life to its own subcultural movements that cannot be analyzed according to the canons of the past, even if they look and are inspired by the past. In the context of the remediation under discussion, fluidity is seen as a starting paradigm, the technoexpressive boundaries mix until they are unrecognizable and perfectly integrated, and digital is an increasingly concrete dynamic. As a result, creative processes become increasingly fragmented and prismatic. The aesthetic recognizability of subcultures today is radically broken down by the logic of digital: the aesthetic canons on the web are less structured, less recognizable, more fragmented. [ABSTRACT FROM AUTHOR] |
