| Abstrakt: |
This article presents information related to Ishmael Reed's "Flight to Canada," posits a dynamic and dialectical relationship between the seen forces of current events, the world that is immediately perceivable and the unseen forces of history as projected by the ancestors or the gods. The world developed in "Flight to Canada," asserts that the optimal place for individual and racial development is at the intersection of the seen and unseen forces. The farther characters and individuals are from this intersection, the more dubious their individual accomplishments and the less likely they are to view their growth and development. |
