| Autor: |
Shigemi Inaga |
| Předmět: |
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| Zdroj: |
World Art Studies; 2019, Issue 19, p21-27, 7p |
| Abstrakt: |
The article sheds light on the history of the modus vivendi of jikihitsu. It mentions about Ishikawa Ky ûyô , or the Paradox of Jikihitsu in "The History of Chinese Letter" as a dia- lectical struggle between stone and paper. It also mentions Morimura's so-called appropriation of Western art history shows the interplay between utsushimi an utsusemi, with all the ambiguity inherent in the imposition of Self on History through jikihitsu. |
| Databáze: |
Complementary Index |
| Externí odkaz: |
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