| Abstrakt: |
Susanna Gale (1749‐1823) was born in St Andrew, Jamaica, a member of the spectacularly wealthy Gale clan which at one point owned in excess of 1000 enslaved people on the island. This article takes Joshua Reynolds's portrait of her as a so‐called 'English rose' as the starting point for an examination of the discourses surrounding White West Indian creole identity in the Enlightenment. More images are then introduced to explore issues of sameness and difference within constructions of racial, class and gender identities, especially in cousin, sister and mistress–servant relationships. The article ends with reflections on Kehinde Wiley's portrait, After Sir Joshua Reynolds' 'Miss Susanna Gale' (2009). [ABSTRACT FROM AUTHOR] |
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