| Autor: |
MCGRATH, AOIFE, TAN, MARCUS CHENG CHYE, PURKAYASTHA, PRARTHANA, HAVELKOVÁ, TEREZA |
| Předmět: |
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| Zdroj: |
Theatre Research International; Jul2021, Vol. 46 Issue 2, p108-114, 7p |
| Abstrakt: |
And finally, dancer-choreographer Padmini Chettur (with her collaborator, the composer Maarten Visser) listens to and re-creates the sound of movement in a premodern amphitheatre in Anupu (Andhra Pradesh), producing a sound-image study in the form of a two-channel video installation. The discussions presented in this special issue are by no means comprehensive or definitive, but they invite further thoughts on the intricacies surrounding sonicity and corporeality, and about the combined expressive and communicative impact of sound and movement in theatre and performance studies. This special issue emerges from a persistent set of questions often asked in both music and dance studies since a "sonic turn" across a range of disciplines in the humanities, including theatre studies, at the beginning of the twenty-first century.[1] What is the relationship between sound and body, corporeality and sonicity?. [Extracted from the article] |
| Databáze: |
Complementary Index |
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