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The Vision's Verfremdungseffekt even acknowledges superhero tropes, when Agatha recaps in paratextual fashion: "In the beginning of our story, Virginia killed the villain, the Grim Reaper" (King et al, The Vision, iss. By Tiffany Hong The 2016 limited series The Vision by Tom King, pencilled by Gabriel Hernandez Walta, imposes upon its readers the impossible, absurd task of the synthezoids themselves: to imitate and integrate into humanity, using human programming as a model for their own seemingly fated trajectories. Most of all, though, Victor "felt that if he could be just like the Vision, noble and strong like the Vision … then obviously he would never become Victorious" (King et al, The Vision, iss. 42 this story, Victor Mancha will be all that stands between Vision and the destruction of the world" (King et al, The Vision, iss. As automation incarnate, Vision deems his utterance indistinguishable from truth, assuring Detective Lin "I can confirm it", which Virginia echoes in her confession (King et al, The Vision, iss. [Extracted from the article] |
