Autor: |
Albrecht-Hohmaier, Martin, Over, Berthold, Pelliccia, Emilia, Wronkowska, Sonia |
Předmět: |
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Zdroj: |
Editio (09313079); Nov2020, Vol. 34 Issue 1, p45-71, 27p |
Abstrakt: |
This text, which was written by members of the project Pasticcio. Ways of arranging attractive operas, uses Gérard Genette's term 'paratext' in a broader sense. Assuming that every text besides the edited work, which is part of the genesis of these oscillating works compiled of pre-existing musical material called pasticcios, can be understood as a paratext, it reveals the importance of printed librettos, related musical sources and philological contexts (like the often underestimated influence of the singers in the creation of a musical work) for their understanding and edition. Aiming at connecting a database with the online edition of four operatic works via XML, the project members present ideas and structures of the project's data which can be described as a paratext as well. [ABSTRACT FROM AUTHOR] |
Databáze: |
Complementary Index |
Externí odkaz: |
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