| Abstrakt: |
Through the literary and historiographical works written by Ethiopian intellectual Käbbädä Mikael in the 1940s and 1950s, this article problematizes the concept of the "world" in world literature. In some theories of world literature, the world is presented as a static a priori , a self-evident spatial referent, a background setting for literary activities. Contrary to this objectivist frame, I propose instead to look at the world as a performative category, and to conceive world literature as a study of worldmaking processes. Käbbädä Mikael's worldmaking attempted to break into the Eurocentric exclusivity of hegemonic narratives of modernity, jostling for recognition within modernization theory but also, at the same time, activating polycentric connections along oblique South-South networks. For him, the world was not a cosmopolitan project, but a pool of symbolic resources from which to draw in building a better future for Ethiopia. [ABSTRACT FROM AUTHOR] |
