| Abstrakt: |
The current study aims at investigating cohesion and coherence in the schematic and aesthetic structures of the/l/-rhymed poetry composed by Namir Bin Tawlab. It tackles mainly three dimensions: the psychological, the schematic, and the aesthetic ones. To clarify, the first two dimensions focus the attention on studying the setting and human nature where the poet had lived in; however, the aesthetic dimension tackles the rhythmic and phonetic arrangement as well as the figures of speech used to deliver the poet’s psychological and humane values mentioned in the text. The study ends by addressing the elements of intertextuality figured out from the examined text. [ABSTRACT FROM AUTHOR] |
