| Abstrakt: |
The works circumscribed to the period before December can be associated with the supra-theme of the search of the self, because they can be considered ex cathedra "alternatives to a self-portrait" (Ion Simut) in the center of his writings ranging the metaphor of the interior exile in a totalitarian world. Thus, in the period before '89, he chooses the strategies of subversive literature (parable, symbols, myth) to express discretely his opposition to the communist regime and its structures, to the "wire dancer" the writers were subjected to form the "new man". His works are marked by an indirect confession of a autobiography disguised in philosophical, ethical debates and also about mythology and art. [ABSTRACT FROM AUTHOR] |
