| Abstrakt: |
The article presents ways where the social and spatial dynamics of the Algonquin Round Table, a group of New York City writers and wits, affected the American theatre of the 1920s and early 1930s. It explores how their festive in several venues generated theatrical criticism and theatrical production which transform spaces into sites of creative genesis. It discusses the non-theatrical venues of the Round Table as spaces of theatrical inclusion, where collaborative partnerships were forged. |
