Nature experiences affect the aesthetic reception of art: The case of paintings depicting aquatic animals.

Autor: Tribot AS; UMR TELEMMe, MMSH, Aix-Marseille University, CNRS, Aix-en-Provence, France., Faget D; UMR TELEMMe, MMSH, Aix-Marseille University, CNRS, Aix-en-Provence, France., Changeux T; Aix Marseille Univ, Université de Toulon, CNRS, IRD, MIO, Campus Luminy - OCEANOMED Bâtiment Méditerranée, Marseille, France.
Jazyk: angličtina
Zdroj: PloS one [PLoS One] 2024 Jul 18; Vol. 19 (7), pp. e0303584. Date of Electronic Publication: 2024 Jul 18 (Print Publication: 2024).
DOI: 10.1371/journal.pone.0303584
Abstrakt: Art is a promising pathway to raise emotional engagement with nature, while enabling an indirect exposure to nature through aesthetic experience. However, the precise relationships between aesthetic experiences of art and experiences of nature remain unclear. The aim of this observational study is to highlight the effect of nature experiences on the aesthetic reception art, based on Early Modern paintings (16th-18th century). By focusing on marine ecosystems, that are difficult to directly interact with, the results presented are intended to explore whether marine activities and fish consumption affect the aesthetic reception of artworks depicting marine biodiversity. A photo-questionnaire survey based on four paintings has been conducted with 332 French participants with a diverse range of marine practices, fish consumption and artistic sensitivity. Fish consumption and value attributed to fish as food had a significant positive impact on the aesthetic reception, suggesting that taste and food consumption could be considered as a relevant nature aesthetic experience that elicits affective and emotional responses. Results also showed an indirect effect of fishing and diving on the aesthetic reception of paintings whose iconography relates with the observers' experiences. These findings are of particular interest in both environmental psychology and ecological mediation through art. This study brings evidences of the connection between art and nature experiences, and that art could be an innovative way of experiencing nature. Finally, this study also highlights the need to broaden the scope of nature experiences, for instance by including food.
Competing Interests: The authors declare that no competing interests exist.
(Copyright: © 2024 Tribot et al. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.)
Databáze: MEDLINE
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