Het antitheater van Antonin Artaud : een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Societas Raffaello Sanzio.
| Autor: | Crombez, Thomas |
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| Jazyk: | holandština |
| Informace o vydání: | Gent : Academia Press, 2008. |
| Předmět: |
Arts in general
Dramatic representation. The theater History of the arts Literature (General) Social sciences (General) The arts Theatre studies Theatre: individual actors and directors Literature and literary studies Plays playscripts Literature: history and criticism Literary studies: plays and playwrights Electronic books Criticism interpretation etc |
| Druh dokumentu: | Bibliographies; Online; Non-fiction; Electronic document |
| Abstrakt: | Summary: What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself. |
| Databáze: | Vybrané kolekce e-knih |
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