Obrazovka a uživatel.
Autor: | Manovich, Lev, 1960- |
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Další autoři: |
Sedlák, Pavel, 1977-
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Jazyk: | čeština |
Předmět: | |
Druh dokumentu: | Non-fiction |
ISSN: | 1210-0250 |
Abstrakt: | Abstract: Manovich expands his notion of the interface by undertaking two „genealogies“ of the most pervasive medium between the humans, the physical and the virtual spaces - the screen. The first genealogy follows the relation between the space and time of the viewer and the space and time of the representation (physical space). In the case of the static screen/image (paintings, photography) and the dynamic screen (cinema) the time of viewing is different from the time of capturing of the image. The image changes in real time reflecting changes in the referent and interaction with the viewer in the case of the real time and interactive screens of different instrument displays, video monitors, computer screens etc. In his second genealogy Manovich is analyzing the emergence of a medium that is not based on a screen - the development of VR systems that he calls the „simulation of interactive three dimensional environments without a screen“. He highlights the altered relation between the screen and the body of the viewer that is mobile. The VR changes the logic of the Western „representational apparatuses“ by which the body must be fixed in order to see the image or interact with it. It opens up a possibility of fully immersive simulation technologies that offer continuity between the virtual and physical space rather than discontinuity and rupture. However, the user of the VR becomes a „captive of the machine in a psychical sense“. His body is imprisoned in a much radical way that leads to the confusion of the representations with his perceptions and to merging of his retina and the screen. |
Databáze: | Katalog Knihovny AV ČR |
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