Plundrofonie.
| Autor: | Culter, Chris |
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| Další autoři: |
Dvořák, Tomáš, 1975-
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| Jazyk: | čeština |
| Předmět: | |
| Druh dokumentu: | Non-fiction |
| ISSN: | 1210-0250 |
| Abstrakt: | Abstract: Until 1977, sound was a thing predicated on its own immediate disappearance, today it is increasingly an object that will outlast its makers and consumers. It declines to disappear, causing a great weight of dead music to press upon the living. What to do with it? An organic response has been to recycle, an answer strenuously resisted by traditional music thinking. Yet, plagiarism, once rejected as insupportable, has today emerged both as a standard procedure and a consciously self-reflexive activity, raising vexed debates about ownership, originality, copyright, skill and cultural exhaustion. This essay attempts to sketch the history of plunderphonics and relate it to the paradigm shift initiated by the advent of sound recording. |
| Databáze: | Katalog Knihovny AV ČR |
| Externí odkaz: |
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