| Abstrakt: |
Abstract: The study presents the Arthurian novel Tandariáš a Floribella from the end of the 14th century as an independent historical source, and indicates some possible routes to approach it from the perspective of historical-literary anthropology. It deals with the interpretation of those passages in which the anonymous poet in keeping with the tradition of German and French courtly novels thematised forgetting oneself, reflection and the epistemological importance of passivity or pain of the protagonist – the knight. The author interprets them as a means of the refinement and cultivation of the audience. He shows that the novel did not lead the noble audience to an internalized Christian conversion or moral improvement. Under the guise of entertainment, it rather encouraged them to think and to discuss the basic rules, organization and values of courtly society. |
