| Abstrakt: |
The article focuses on the challenge of portraying the Holocaust in cinema, tracking its historical depiction from neglect to belated recognition through works like "Holocaust" and "Schindler's List." It delves into the debate regarding Holocaust representation, highlighting Gillian Rose's critique of films like "Schindler's List" and the quest for a more humanized portrayal, a perspective echoed in Jonathan Glazer's latest film, "The Zone of Interest," which aims to humanize perpetrators. |
