The synaesthesia metaphors of Taiwanese popular lyrics from the 80's and 90's.
Autor: | Pei-HanChen, 陳沛涵 |
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Rok vydání: | 2010 |
Druh dokumentu: | 學位論文 ; thesis |
Popis: | 98 The popular song is belong to the mass culture category, and it is also most universal and influence to the link in the people’s lives. The lyric writers penetrate the lyrics writing to be able integrates happy and sad in the deep place of emotion with lyrics, and have the emotion exchange with the listener. Therefore, the popular song has the entertainment, and expresses the emotion the effect. But if they want to move the will of the people, to create popularly, they need to utilize the rich metaphor to increase listener's imagination space. They cause the musicality and literariness of the lyrics to have a more perfect union. The thesis is writing about discussing Taiwanese popular lyrics synaesthesia metaphors phenomenon in 80’s and 90’s, and makes the analysis in view of the lyrics in metaphor performance. In which divides into two big main axles. The One is discussing the metaphor performance of the Taiwanese lyrics based on the Lakoff & Johnson (1980) cognition metaphor theory, and induces in these language which is belongs to the ontological metaphors, the orientational metaphors, the structural metaphors in these three metaphor thoughts. Another one is penetrating five kind of sense of the human body - “vision, hearing, touch, the smell and taste” to accomplish the synaesthesia metaphors. It analyzes the ingestion angle of the synaesthesia performance in the Taiwanese lyrics, which induce language from the angle of vision, hearing, touch, smell, and taste and makes the breakthrough point. It enables the listener to penetrate the old experiences of the five sense and the intrinsic feeling to be interlinked in mind. In the Taiwanese popular lyrics, the metaphor annotation has the multiplicity in 80’s and 90’s. The listeners have more understandings because of own experience to the lyrics and have the sympathetic chord. Therefore, they can understand the culture and the thought, which reflect behind the lyrics metaphor. They can appreciate to the Taiwanese popular song by the esthetic angle, not treat as lightly sound by the Song of the Rustic Poor. |
Databáze: | Networked Digital Library of Theses & Dissertations |
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