| Popis: |
In the heterogeneous corpus of works published by sons of Argentinean desaparecidos one of the most interesting and original contribution are the texts written by Félix Bruzzone. The aim of this article is to outline the main characteristics of the author’s style and then to analyse his last novel Campo de Mayo (2019). The novel actually originates as another type of text, a performance, so first of all, the peculiarities of this textuality will be identified, in order to reflect on the mechanisms that intervene when a performance is transposed into a novel. It will be demonstrated that the novel keeps many elements of the performance, all linked to the theme of the search for disappeared parents, that ensure that the dynamic corporeal characteristic of the hipotext is kept in its novelisation, in order to create a discourse that through the body of the protagonist displays all the contradictions and paradoxes that this impossible search implies, using de textual image of the moving body to give an account of the complex dynamics of identity definition concerning sons of desaparecidos. |
