Popis: |
El objetivo de este trabajo fin de máster fue analizar los personajes femeninos seleccionados de la novela Don Quijote de Miguel de Cervantes. Los personajes femeninos seleccionados son: Dulcinea del Toboso, Teresa Panza, Marcela, Luscinda, Dorotea, María Zoraida y Ana Félix. La tesis consta de tres partes. En la primera parte se presenta un marco teórico, en el que se analiza el género de la novela y los niveles de narración en Don Quijote. En la segunda parte se analiza el tratamiento de las mujeres en la novela. En esta parte se citan distintas fuentes, las cuales tienen diferentes opiniones respecto a Cervantes y su actitud hacia sus personajes femeninos. En la tercera y última parte, se analizan en detalle siete personajes femeninos mencionados anteriormente. Cilj ovog rada bio je analizirati odabrane ženske likove iz romana Don Quijote Miguela de Cervantesa. Odabrani ženski likovi su: Dulcinea del Toboso, Teresa Panza, Marcela, Luscinda, Dorotea, María Zoraida i Ana Félix. Diplomski rad se sastoji iz tri dijela. U prvom dijelu izlaže se teorijski okvir u kojem se analiziraju žanr romana i razine pripovijedanja u Don Quijoteu. U drugom dijelu analizira se odnos prema ženama u romanu. U ovom dijelu navode se različiti izvori koji imaju različita mišljenja o Cervantesu i njegovom odnosu prema ženskim likovima. U trećem i posljednjem dijelu detaljno se analizira sedam već spomenutih ženskih likova. The aim of this thesis was to analyse the selected female characters from the novel Don Quijote by Miguel de Cervantes. The selected female characters are: Dulcinea del Toboso, Teresa Panza, Marcela, Luscinda, Dorotea, María Zoraida, and Ana Félix. The thesis consists of three parts. In the first part, a theoretical framework is presented, in which the genre of the novel and the levels of narration in Don Quijote are analysed. In the second part, the treatment of the women in the novel is analysed. In this part, different sources are cited, which have different opinions regarding Cervantes and his attitude towards his female characters. In the third and last part, seven previously mentioned female characters are analysed in detail. |