Comentario dramatológico de Su día gris (1962) de Roberto Navarrete Troncoso: crisis de la familia y la masculinidad
| Autor: | Patricia Henríquez Puentes, Juan Pablo Amaya González, Nicolás Masquiarán, Daniel Pereira Pereira |
|---|---|
| Rok vydání: | 2019 |
| Předmět: |
Linguistics and Language
Middle class Roberto Navarrete Troncoso Literature and Literary Theory lcsh:Philosophy (General) media_common.quotation_subject Teatro Universidad de Concepción Art Dramaturgy Language and Linguistics Philosophy dramaturgia chilena Cultural development Life crisis lcsh:B1-5802 Su día gris Humanities teatros universitarios media_common |
| Zdroj: | Logos (La Serena) v.29 n.1 2019 SciELO Chile CONICYT Chile instacron:CONICYT Logos: Revista de Lingüística, Literatura y Filosofía, Vol 29, Iss 1 (2019) |
| ISSN: | 0719-3262 0716-7520 |
| DOI: | 10.15443/rl2910 |
| Popis: | The figure of Roberto Navarrete Troncoso was a fundamental part of the Theater of the University of Concepcion, because he contributed from the scene - as an actor, director and playwright - in the artistic development of a cast that was an important motor of the cultural development of the city, but also the country. The article proposes to raise his work from oblivion, so to this effect it analyzes His gray day from the dramatological comment. It is stated that the work is in line with an aspect of the Chilean dramaturgy of the early 1960s, in which the playwrights staged the life crisis and values of a city middle class. |
| Databáze: | OpenAIRE |
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