| Popis: |
My inspiration for an undergraduate dissertation (1972) on the origins of the Vinca group and, then, a PhD on the group as a whole (1976) came from a 1971 trip to the Belo Brdo tell. The PhD was transformed by new analyses to become the 1981 BAR publication - a processually-oriented work which, in an unexpected way, remains the only general synthesis of the Vinca group until this very day. In this self-critical and -reflexive paper, based upon the keynote speech I was invited to present to the Tubingen 2019 ‘LBK – Vinca’ Conference, I look backwards to those aspects of the synthesis which remain relevant; examine those parts which have been overtaken by more recent research; and consider why it is that the synthesis has yet to be superceded. It is interesting that landscape studies and especially settlement studies remain some of the most relevant parts of my research. Although new fieldwork has led to incrementally better distribution maps, the basic premises remain true of the changes in settlement structure from Starcevo to Vinca. The remote sensing revolution, the Bayesian analyses of unimaginably large numbers of AMS dates and the contextual recording of finds have made the greatest impacts on Vinca research. Site planning and site size studies have progressed enormously. The analyses of site densities of figurines still poses important research questions but lacks the current contextual detail of figurine deposition. Apart from congenital idleness, I cannot imagine why no other specialist has written a new synthesis of the Vinca group. It is not that no new ‘cultural syntheses' have appeared in the Balkans - syntheses are not yet a threatened species. Admittedly, a rather large amount of new material has appeared in the last 50 years - together with a tendency to paint pictures on smaller canvases. Yet my hope for the next 50 years is that several new general syntheses will be written on the Vinca group. |
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