DIGITAL WORKFLOWS FOR RESTORATION AND MANAGEMENT OF THE MUSEUM AFFANDI - A CASE STUDY IN CHALLENGING CIRCUMSTANCES
Autor: | Gudrun Styhler-Aydın, D. Grandits, U. Herbig, I. Mayer, L. Stampfer, U. Pont |
---|---|
Rok vydání: | 2017 |
Předmět: |
lcsh:Applied optics. Photonics
Architectural engineering Knowledge management media_common.quotation_subject 02 engineering and technology lcsh:Technology Documentation Architectural heritage Natural hazard 0502 economics and business Function (engineering) Adaptation (computer science) media_common lcsh:T business.industry 05 social sciences lcsh:TA1501-1820 021001 nanoscience & nanotechnology Challenging environment Cultural heritage Geography Workflow lcsh:TA1-2040 lcsh:Engineering (General). Civil engineering (General) 0210 nano-technology business 050212 sport leisure & tourism |
Zdroj: | The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Vol XLII-2-W5, Pp 329-334 (2017) |
ISSN: | 2194-9034 |
DOI: | 10.5194/isprs-archives-xlii-2-w5-329-2017 |
Popis: | The appropriate restoration of architectural heritage needs a careful and comprehensive documentation of the existing structures, which even elaborates, if the function of the building needs special attention, like in museums. In a collaborative project between the Universitas Gadjah Mada, Yogyakarta, Indonesia and two universities in Austria (TU Wien and the Danube University Krems) a restoration and adaptation concept of the Affandi Museum in Yogyakarta is currently in progress. It provides a perfect case study for the development of a workflow to combine data from a building survey, architectural research, indoor climate measurements and the documentation of artwork in a challenging environment, from hot and humid tropical climate to continuous threads by natural hazards like earthquakes or volcanic eruptions. The Affandi Museum houses the collection of Affandi, who is considered to be Indonesia's foremost Expressionist painter and partly designed and constructed the museum by himself. With the spirit of the artist still perceptible in the complex the Affandi Museum is an important part of the Indonesian cultural heritage. Thus its preservation takes special attention and adds to the complexity of the development of a monitoring and maintenance concept. This paper describes the ongoing development of an approach to a workflow from the measurement and research of the objects, both architectural and artwork, to the semantically enriched BIM Model as the base for a sustainable monitoring tool for the Affandi Museum. |
Databáze: | OpenAIRE |
Externí odkaz: |