Remembering and forgetting the Kalunga Project: popular music and the construction of identities between Brazil and Angola
| Autor: | Maurício Barros de Castro |
|---|---|
| Rok vydání: | 2015 |
| Předmět: |
Cultural Studies
Government 050402 sociology Sociology and Political Science media_common.quotation_subject 05 social sciences Censorship 0506 political science Politics Spanish Civil War Popular music 0504 sociology Arts and Humanities (miscellaneous) Anthropology Law 050602 political science & public administration Economic history Position (finance) Sociology Demography Connotation Amnesty media_common |
| Zdroj: | African and Black Diaspora: An International Journal. 9:96-108 |
| ISSN: | 1752-864X 1752-8631 |
| Popis: | Kalunga Project was a mission of 65 Brazilian musicians, artists, producers, motion-pictures directors, and journalists that travelled to Angola in 1980, when the country was in a civil war. The invitation was made by the Angolan Government, and the caravan went through Luanda, Benguela, and Lobito, cities where the musicians performed shows, during a 12-day travel, characterized by a strong political connotation. The Kalunga Project happened without the official recognition of the Brazilian Government and it was not divulged by the press at that time, due to the censorship. The event had a clear political position at the international scenario polarized by the cold war. It was not only about supporting the Angolan people, but also the block of the socialist countries, from what Angola was part, as an allied country of the USSR and Cuba. At this time, Brazil was living a slow process of redemocratization that had begun with the Amnesty Law, in 1979. The mission reveals a postcolonial dialogue between Braz... |
| Databáze: | OpenAIRE |
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